Well, fantasy is not my thing but I couldn’t resist this cheeky looking chunky Dwarf Lord sculpted by Peter Gillson, original stunning box art by Peter Day.
Trying not to sing along with ‘its all about the bass’, this is all about the beard lol. Of course the armour and helmet will be an exciting challenge to go with metallics.
As there is not a lot of face, I decided to have a go at this with acrylic. I can always overpaint with oils if it doesn’t work out.
First up, a base coat of Vallejo Beige Red with a tip of the brush of Revell Anthracite and Vallejo Ivory to get the shadows and highlights.
Then the eyes were lined using Vallejo Mahogany
The ‘whites’ of the eyes were then painted in with ivory and a touch of beige red to create a very light flesh colour. While this was drying I ran some glazes over the very rough looking flesh tones. The pupils were painted in and a highlight spot added
So this is where I am at the end of stage one
There will be more refinement done to the flesh once I have blocked in around it. I find it easier to judge flesh contrast after blocking in
Trying not to sing along with ‘its all about the bass’, this is all about the beard lol. Of course the armour and helmet will be an exciting challenge to go with metallics.
As there is not a lot of face, I decided to have a go at this with acrylic. I can always overpaint with oils if it doesn’t work out.
First up, a base coat of Vallejo Beige Red with a tip of the brush of Revell Anthracite and Vallejo Ivory to get the shadows and highlights.
Then the eyes were lined using Vallejo Mahogany
The ‘whites’ of the eyes were then painted in with ivory and a touch of beige red to create a very light flesh colour. While this was drying I ran some glazes over the very rough looking flesh tones. The pupils were painted in and a highlight spot added
So this is where I am at the end of stage one
There will be more refinement done to the flesh once I have blocked in around it. I find it easier to judge flesh contrast after blocking in
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